Amgueddfa Cymru

Hafan

Have you been keeping up to date with our Museum Bee Keeper's diary? Well here is the latest installment of how our bees are getting on:

With a trip to the US meaning I couldn't keep tabs on the bees for three weeks, the other beekeepers are pressed into service to look after the hives. It’s good to know that everything is in safe hands while I’m away, plus my absence gives some of the others a chance to have bit more “bee time”.  In the weeks prior to my departure our strong colony was looking very full of bees, with numerous queen cups having been removed and there being a large number of drones (males) in the hive. We knew that there was always a possibility of swarming and in an attempt to curtail this I’d asked my fellow keepers to keep a close eye on the hives and to check regularly as we can’t risk having a new virgin queen hatch.

On the 22nd May, Catalena and Nigel went to check the hives, here is her report:

"Nigel and I went up to see the bees today, It was an overcast day, not raining and not that windy really and the temperature was about 14 degrees. The strong colony was REALLY full of bees and very busy, there were also LOTS of queen cells being made. We removed SIX active queen cells, 2 of which were much longer than the others. Maybe the other 4 were 'suspect dome shaped Drone cells'. There were also lots more empty queen cells (more than 6 others) which I crushed with the hive tool. The hive is just so full we feel sure that swarming is inevitable. There are lots of drones and drone cells too. We considered moving another frame of brood over to the quieter hive, which would be a good idea but decided to leave that for another visit. We cycled the frames in the super, moving the emptier ones to the middle. We spotted the queen with her big green spot on her back, she nearly crawled out of the hive but we spotted her and we were about to catch here when she turned around and crawled back in.

The less productive hive is still very quiet although there were still bees flying out and bringing back pollen. We took the lid off the hive to have a closer look but didn't disturb anything. There is still lots of syrup/honey in the contact feeder and the bees are still using it, so we left it in the hive.

We checked the new hive with the swarm lure inside but unfortunately it is still empty.

On an eventful note, Nigel got stung on the calf by a bee that crawled up his trouser leg! Not nice at all but Nigel can handle pain!  I think I would have cried if it had happened to me!"

Keep posted for more news about of museum bees.

Today at National Museum Cardiff we are celebrating the very first International Polychaete Day, held in honour of a great polychaetologist, Kristian Fauchald who sadly passed away on the 5th April this year. Today would have been his 80th birthday, and museums and scientists are celebrating the wonderful diversity of marine bristleworms across the globe.

Polychaetes or marine bristleworms are a diverse group of segmented worms related to earthworms and leeches, and are abundant in marine and estuarine environments. Often the dominant animals living in seabed environments, they have important roles in marine food chains and reprocessing of nutrients, but are also indicators of the health of seabed habitats. The Museum has been carrying out research into this fascinating group since the 1980s and is the largest repository of Welsh polychaetes globally.

In honor of the day, we have published a story of our #WormWednesday Tweets for the last six months and we have been tweeting via the #InternationalPolychaeteDay hashtag.

Why not follow @CardiffCurator to find out more.

Inspired by Kristian's famous 'Pink Book' for identifying polychaete worms everywhere, we have today released a special pink version of the logo for the 12th International Polychaete Conference, which will be held at the museum next August.


Astudiaeth newid hinsawdd ar dir eich ysgol!
Daearyddiaeth & Gwyddoniaeth (CA2)


Defnyddiwch eich dosbarth awyr agored! Ymunwch â'r 175 o ysgolion sy'n cymryd rhan yn yr arbrawf arbennig hwn!


Mae Bylbiau'r Gwanwyn i Ysgolion yn rhoi cyfle i ddisgyblion cynradd fabwysiadu, astudio a chofnodi datblygiad bylbiau'r gwanwyn fel rhan o rwydwaith gwylio'r gwanwyn. Caiff pob disgybl fwlb Cennin Pedr Dinbych, Crocws ac photyn gardd er mwyn cofnodi'r tyfiant a'r amserau blodeuo.

Trwy gasglu a chymharu data mae disgyblion yn darganfod sut mae'r newid yn ein hinsawdd yn effeithio ar ein tymhorau, a beth mae hyn yn ei olygu i ni ac i'r natur o'n cwmpas. Mae disgyblion yn cymryd rhan yn Her Athro'r Ardd i gael tystysgrif gwyddonydd gwych.

Gall ysgolion ledled Cymru gymryd rhan gan bod y canlyniadau yn cael eu casglu drwy'r we (neu'r post os oes rhaid). Mae'r prosiect yn un parhaus a gall ysgolion gymryd rhan yn flynyddol.

Er mwyn gwneud cais i gymryd rhan yn Bylbiau’r Gwanwyn i Ysgolion 2015-2016 llenwch y ffurflen gais ar-lein drwy ddilyn y ddolen isod.

Ceisiadau nawr ar agor ond mae niferoedd yn gyfyngedig felly wnewch gais yn fuan i sicrhau eich lle ar y prosiect! Ceisiadau ar agor i ysgolion yng Nghymru yn unig. Mae’r dyddiad cau wedi pasio ar gyfer ysgolion o’r Alban a Lloegr ond mae croeso i chi gysylltu ag Ymddiriedolaeth Edina am wybodaeth ar sut i gymryd rhan yn y project yn 2016-2017.

Bylbiau’r Gwanwyn i Ysgolion – Ffurflen Gais.

E-bost SCAN

This sculpture donated this month is titled “Welsh Anthracite Collier”. The original was created by George Brinley Evans in 1963, and this version was cast in bronze by Mark Halliday in 2012.

George Brinley Evans worked at Onllwyn Colliery and, as an artist, the material he most often used was household emulsion and watercolour on cheap paper. He recorded miners' working methods and technical expertise and resilience in the face of danger. After losing an eye in a mining accident in 1961, he turned to modelling figurines of his workmates and national heroes, using cheap and alternative material, usually a wire armature covered in layers of old nylon stockings soaked in plaster, which is then teased into shape and sprayed with car paint. This sculpture was created in the same way, with this version cast in bronze. It has then been sprayed black by the artist. The pose looks unnatural, but the artist is depicting the awkwardness of men mining in small spaces.

More examples of his work can be seen here, on the ‘Images of Industry’ online database. His work “Aros am Golau” is on display in the galleries at Big Pit: National Mining Museum.

17th May 2015 was the 50th anniversary of the Cambrian Colliery explosion. The explosion, caused by firedamp, claimed 31 lives, the youngest victim being only 24 years old. This images shows the front cover of the programme for the 50th anniversary memorial service. This programme along with a souvenir publication "The Old Timer" released to mark the 50th anniversary was donated at the end of May.

These two photographs show Cambrian Colliery. The black and white one was taken from the south east in 1960. The colour photograph was taken a few years after the explosion in April 1967.

Amgueddfa Cymru has recently produced an edition of our ‘Glo’ magazine to commemorate this disaster. A copy can be downloaded here

This was not the first disaster at this colliery. On 10 March 1905 an explosion at Cambrian Colliery No. 1 resulted in the death of 33 men.

This badge inscribed ‘Rhymney Valley Support Group’ was produced during the 1984-85 coal strike. Donated recently it adds to an important collection of strike badges held by Amgueddfa Cymru. Many of these strike badges can be seen on display at Big Pit: National Mining Museum.

Mark Etheridge
Curator: Industry & Transport
Follow us on Twitter - @IndustryACNMW

 

Our first public event as part of this project will be this coming Saturday, 27th June 2015, at National Museum Cardiff. We will provide information and raise awareness on the threats faced by cultural heritage. In the afternoon, various speakers will give short, 15-minute talks on a variety of subjects. One of the speakers is Dr Toby Thacker, Senior Lecturer in Modern European History, Cardiff University, School of History, Archaeology and Religion.

Toby will be talking about Verdun in France. This is where the most intense fighting between the French and German armies took place in 1916, and ever since it has been the most iconic event of the First World War for the French. Around the town of Verdun a huge area has been declared as ‘terre sacrée’, or hallowed ground, and left as it was after the battle. This area includes several shattered villages, now deserted, and upwards of thirty different forts, many of which were badly damaged by shell fire from both sides during the conflict.

Some, such as Fort Douamont, are now kept as sites for tourists, school parties, and researchers to visit. The fort itself is mainly underground, but the steel gun turrets projecting above ground show extensive damage from shells and bullets. The earth around them is littered with shell holes, with fragments of metal and barbed wire, and the concrete emplacements are suffering from shell damage, and now from weathering. The whole site poses complex questions about memory, conservation, and heritage. More to come on Saturday!